By Laura Clawson
The Sacred Harp choral making a song culture originated within the American South within the mid-nineteenth century, unfold extensively around the nation, and maintains to thrive this present day. Sacred Harp isn’t played yet participated in, preferably in huge gatherings the place, because the a cappella singers face one another round a hole sq., the massed voices tackle a relocating and nearly actual energy. I Belong to This Band, Hallelujah! is a brilliant portrait of a number of Sacred Harp teams and an insightful exploration of ways they have the ability to hold a feeling of group regardless of their individuals’ frequently profound differences.
Laura Clawson’s learn took her to Alabama and Georgia, to Chicago and Minneapolis, and to Hollywood for a Sacred Harp functionality on the Academy Awards, a powerful image of the conflicting forces at play within the twenty-first-century incarnation of this previous style. Clawson unearths that during order for Sacred Harp singers to keep up the bond cast by means of their love of tune, they have to grapple with a bunch of inauspicious matters, together with the way to hold the authenticity in their culture and the way to rigorously negotiate the tensions created through their disparate cultural, non secular, and political beliefs.
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