By Daniel Zager
In Music and Theology, twelve students prompted via Leaver's paintings give a contribution essays in various parts of sacred song background and philosophy, targeting the intersection of track and theology. Ranging chronologically from the twelfth-century author and composer Hildegard of Bingen (1098-1179) to present-day issues of yankee church song and worship, the amount offers thought-provoking new paintings for all who learn church track. Reflecting the trendy emphasis in Leaver's personal scholarship, 8 chapters care for the track of Johann Sebastian Bach, together with his organ tune, sacred cantatas, and keenness settings. a last bankruptcy offers a chronological directory of Leaver's personal voluminous writings on tune and theology.
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